Furniture made from used coffee bags by Vepa

What might seem like an unusual collaboration at first glance turns out to be a circular success story in practice. Vepa the furniture factory, a specialist in sustainable furniture, and Dutch coffee roaster Peeze have joined forces to give discarded jute coffee sacks a second life as stylish chairs and bar stools.

Sustainable collection In-Side by Magis

Beyond a simple outdoor collection, this is a manifesto of innovation, technology, experimentation and creativity. In-Side, the new outdoor collection designed by Thomas Heatherwick for Magis, uses rotational moulding production technology to highlight the material in an extraordinary way.

Designer gesture by Arrmet

Beyond the shape: seating as a gesture of connection. In the world of design, every gesture carries meaning. The choice of a material, the intensity of a curve, the precision of a detail – all these elements help define a project that doesn’t merely fulfil a function but creates an experience. This is the approach that Sylvain Willenz has brought to his collaboration with Italian company Arrmet: a meeting point between formal research and the human side of design. The Cèpe collection takes shape through an organic modularity, capable of adapting to various spaces and design styles.

Jelly by Bejot – fun with form

Jelly, designed by Wojciech Wołczyk for Bejot, is a modular seating system designed for dynamic spaces that change function throughout the day. Its soft, organic form, inspired by the shape of a jelly, conveys comfort and ease of use. The concept of “fun with form” encourages natural interaction and flexible use of space – modules can be freely combined and rearranged to create configurations tailored to users’ needs.

Limit Lounge Chair by Normann Copenhagen

Originally developed in Copenhagen in 1974, Limit Lounge Chair quickly gained international recognition. With this reissue, Normann Copenhagen affirms the enduring strength of the original design’s material logic and restraint — acknowledging that some designs are simply right the first time. The name Limit reflects the conditions under which the chair was conceived — a moment defined by material scarcity and structural clarity — and speaks to a design shaped by conscious reduction rather than excess. Its ingenuity earned it a place in the permanent collection of the Museum of Modern Art (MoMA) in New York. Decades later, its relevance feels undiminished.

Inside the Minds of Foersom & Hiort-Lorenzen

Cane-line visited the studio of the Danish design duo Johannes Foersom & Peter Hiort-Lorenzen to talk about their approach to design and the journey behind the Bliss series.