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A Bolon floor is a smart investment – both economically and environmentally – since it’s easy to maintain and designed to last. Simple, effective care keeps costs down over time while helping the floor perform at its best and extending its life well beyond its 10–15-year warranty.

Fermob’s iconic model, the Bistro metal chair, still has more in store to wow you. From New York to Tokyo, it embodies the French art de vivre in the same way as the Eiffel Tower, with which it shares its year of birth! Making its first appearance in 1889, the Bistro chair was an instant hit with café owners, happy to make the most of their first terraces. In addition to its emblematic design, the Bistro chair can be folded in the blink of an eye, a feature which has allowed it to be exempted from patent payment. Holder of the “Simplex” patent, Fermob continues to pave the path of this small metal chair.

VELA Armchair, designed for Plust by Art Directors BrogliatoTraverso, was born from the poetic observation of sails inflated by the wind and translates that gesture into an embracing and harmonious shape. The generous volume of the armchair creates a comfortable seat that naturally fits into both contract and residential settings. Equipped with functional details such as a drainage hole for water, VELA Armchair reveals its outdoor soul, ensuring durability and resistance to atmospheric agents.

Organic is a collection of tables and coffee tables designed by Franco Poli for the Italian company MIDJ. Inspired by the organic forms of nature, it is born from the encounter between material and design, where surfaces, volumes and textures shape an authentic and timeless aesthetic.

Beyond the shape: seating as a gesture of connection. In the world of design, every gesture carries meaning. The choice of a material, the intensity of a curve, the precision of a detail – all these elements help define a project that doesn’t merely fulfil a function but creates an experience. This is the approach that Sylvain Willenz has brought to his collaboration with Italian company Arrmet: a meeting point between formal research and the human side of design. The Cèpe collection takes shape through an organic modularity, capable of adapting to various spaces and design styles.

Originally developed in Copenhagen in 1974, Limit Lounge Chair quickly gained international recognition. With this reissue, Normann Copenhagen affirms the enduring strength of the original design’s material logic and restraint — acknowledging that some designs are simply right the first time. The name Limit reflects the conditions under which the chair was conceived — a moment defined by material scarcity and structural clarity — and speaks to a design shaped by conscious reduction rather than excess. Its ingenuity earned it a place in the permanent collection of the Museum of Modern Art (MoMA) in New York. Decades later, its relevance feels undiminished.

Some design gestures need no explanation. A continuous aluminium tube that curves, wraps, and supports. That draws in the air the precise boundary between structure and rest. That’s Gum. The Gum outdoor furniture collection is the latest collaboration between architect Ramón Esteve and Vondom. A collection where the tubular line isn’t just structure — it’s character. A continuous stroke that runs through every piece — sofa, lounge chair, dining chair, tables — with the fluidity of a hand-drawn gesture and the precision of decades spent thinking about how we inhabit spaces.